The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
पाशवर्णशरीरा चाकुर्वर्णसुवपुर्द्धरा । त्रिखंडा स्थापनी सन्निरोधनी चावगुंठनी ॥ ४५ ॥
pāśavarṇaśarīrā cākurvarṇasuvapurddharā | trikhaṃḍā sthāpanī sannirodhanī cāvaguṃṭhanī || 45 ||
彼女の身は黄褐の色を帯び、また光り輝く色の麗しき姿を具える。彼女は三相であり、建立する者、制止する者、そして覆い隠す者である。
Narada (teaching in a Vedanga-oriented discourse, traditionally in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It describes a threefold operative principle—establishing, restraining, and veiling—showing how sacred power functions in ritual and inner discipline: it sets a form, contains it, and can also conceal it.
By implying that divine power can both reveal and veil, it points to Bhakti as the means to remove concealment (avaguṃṭhana) and stabilize the mind (sthāpana) while restraining distractions (sannirodhana).
A technical, mantra-śāstra style classification of functions (kriyā-śakti): how a ritual force is applied to establish (sthāpana), restrain (nirodha), and cover/occlude (avaguṃṭhana) within a procedure.