The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
स्थूलरूपा सूक्ष्मरूपा तेजोविग्रहधारिणी । वृणावृत्तिस्वरूपा च नाथावृत्तिस्वरूपिणी ॥ १५५ ॥
sthūlarūpā sūkṣmarūpā tejovigrahadhāriṇī | vṛṇāvṛttisvarūpā ca nāthāvṛttisvarūpiṇī || 155 ||
彼女は粗なる形と微細なる形の双方を取り、光明赫奕たる光の身を帯びる。彼女は「vṛṇā-vṛtti」という表現の働きそのものであり、また「nātha-vṛtti」の本性そのものでもある。
Sanatkumara (teaching Narada in a Vedanga/technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It presents the divine principle (often understood as Vak/Shakti) as simultaneously manifest and subtle, showing that sacred knowledge operates both as outer form (sound/ritual expression) and inner light (meaning/consciousness).
By emphasizing luminous divine presence within speech and expression, it implies that devotion is not only emotion but also disciplined sacred articulation—praise, mantra, and remembrance that carry both form and inner intent.
It points to Vyakarana-style functional analysis (vṛtti), indicating that correct modes of usage and interpretation are essential for preserving meaning and ensuring mantric/ritual precision.