The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
सिंहस्था व्याघ्रगा चैव गजाश्वगरुडस्थिता । भौमाप्या तैजसीवायुरूपिणी नाभसा तथा ॥ १५२ ॥
siṃhasthā vyāghragā caiva gajāśvagaruḍasthitā | bhaumāpyā taijasīvāyurūpiṇī nābhasā tathā || 152 ||
彼女は獅子に坐し、虎に乗りて進み、象・馬・ガルダにもまた騎乗する。彼女は地と水、火と風、そして同様に虚空(アーカーシャ)の姿をとる。
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It portrays a single divine power as all-pervasive—manifesting through multiple vāhanas and through the five great elements—teaching contemplative worship (upāsanā) that sees the Deity in all of creation.
Bhakti is strengthened by recognizing the Lord’s (and divine śakti’s) presence everywhere: in beings, symbols like vāhanas, and in the pañca-bhūtas—turning ordinary experience into remembrance and reverence.
It aligns with technical elemental classification (pañca-bhūta) used in ritual planning and contemplative practice—useful for jyotiṣa-style elemental correspondences and for structuring dhyāna and nyāsa in worship.