Narada Purana — Purva Bhaga, Shloka 101
The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
फट्कारी किंकराराध्या जया च विजया तथा । हुंकारी खेटचरी चंडाछेदिनी क्षपिणी तथा ॥ १०१ ॥
phaṭkārī kiṃkarārādhyā jayā ca vijayā tathā | huṃkārī kheṭacarī caṃḍāchedinī kṣapiṇī tathā || 101 ||
彼女は「パṭカーリー（Phaṭkārī：『phaṭ』の音で招来される力）」であり、眷属の侍者（キンカラ）により礼拝され、また「ジャヤー（Jaya）」と「ヴィジャヤー（Vijaya）」である。彼女は「フンカーリー（Huṅkārī：『huṅ』の音で招来される力）」、虚空を行く者（Kheṭacarī）、猛き者を断つ者（Caṇḍāchedinī）、そして「クシャピニー（Kṣapiṇī：滅尽する者）」と称えられる。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: vira
Secondary Rasa: raudra
FAQs
It lists potent epithets of a protective divine power (śakti) used in invocation, emphasizing victory, guardianship, and the destruction of hostile forces and inner obstacles.
Bhakti here takes the form of reverent remembrance and invocation through sacred names—seeing the Divine as the victorious protector who removes fear and negativity for the devotee.
It reflects technical liturgical usage of mantra-bīja/syllables (like “phaṭ” and “huṅ”) and name-recitation in ritual procedure—knowledge aligned with applied sacred phonetics and ritual performance.