Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
चतुर्भिर्बाहुभिः पाशमंकुशं पानपात्रकम् । अभयं बिभ्रतीं पद्ममध्यासीनां मदालसाम् ॥ ८६ ॥
caturbhirbāhubhiḥ pāśamaṃkuśaṃ pānapātrakam | abhayaṃ bibhratīṃ padmamadhyāsīnāṃ madālasām || 86 ||
四臂にて、パーシャ(羂索)、アンクシャ(鉤)、飲杯、そしてアバヤ(無畏)の印を執る。蓮華の中央に坐し、神なる陶酔により、もの憂げにたゆたう御姿である。
Narada (describing a deity/iconographic form within the teaching dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It teaches dhyāna and worship through precise iconographic cues: the deity’s attributes (noose, goad, cup, abhaya) encode control of the mind, guidance of impulses, sacramental enjoyment, and divine protection.
Bhakti is supported by concrete meditation-forms: visualizing the deity seated on the lotus and granting fearlessness stabilizes the devotee’s mind and deepens reverence, making worship focused and intimate.
It reflects a technical, śāstra-style approach to ritual practice—using standardized deity-lakṣaṇa (form and emblems) for correct visualization and pūjā procedure, a key applied discipline in temple and household worship.