The Description of the Four Durgā Mantras
पिप्पलादो मुनिश्छंदो निवृद्धूमावतीश्वरी । बीजेन षड्दीर्घजातियुक्तेन परिकल्पयेत् ॥ १५६ ॥
pippalādo muniśchaṃdo nivṛddhūmāvatīśvarī | bījena ṣaḍdīrghajātiyuktena parikalpayet || 156 ||
(このマントラ/作法は)リシをピッパラーダ牟尼、韻律を(牟尼)チャンダス、主宰女神をニヴリッドゥーマーヴァティーイーシュヴァリーと定め、六つの長母音を具えたビージャ(種子音)をもって構成すべきである。
Sanatkumara (teaching Narada in a technical Vedanga/Mantra-vidhi register)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It encodes the orthodox mantra-framework—ṛṣi (seer), chandas (metre), and devatā (presiding deity)—showing that spiritual practice is made effective through correct identification and disciplined formulation of the mantra.
Bhakti here is expressed as precise devotional method: the practitioner approaches the deity (Nivṛddhūmāvatīśvarī) through a correctly constituted mantra, treating sound (bīja) and sacred attribution as acts of reverence.
Śikṣā (Vedic phonetics) is implied by the instruction about “six long vowels,” and mantra-vidhi reflects the applied technical side of Vedanga-based ritual correctness.