Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
नवयोन्यात्मके यन्त्रे विलिखेन्मध्ययोनितः । प्रादक्षिण्येन बीजानि त्रिवारं साधकोत्तमः ॥ ५८ ॥
navayonyātmake yantre vilikhenmadhyayonitaḥ | prādakṣiṇyena bījāni trivāraṃ sādhakottamaḥ || 58 ||
九つの「ヨーニ」(花弁状の区画)から成るヤントラにおいて、最勝の修行者は中央のヨーニより始め、右回り(時計回り)に進みつつ、種子音(ビージャ)を三度記し刻むべし。
Narada (teaching the technical procedure within the Vedanga/ritual-yantra context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes disciplined, auspicious order in mantra-practice: beginning from the center (source) and moving clockwise (prādakṣiṇa) aligns the practitioner’s act of inscription with sacred orientation and ritual correctness.
Though technical, it supports bhakti by prescribing careful, reverent preparation for worship—inscribing bīja-mantras in an auspicious sequence is presented as a devotee’s precise offering (upacāra) through correct ritual conduct.
Ritual procedure and mantra-application: the rule of prādakṣiṇa (clockwise auspicious movement), structured yantra layout (nine compartments), and repetition count (threefold inscription) as a standardized method of practice.