मध्यमादौ नभोहंसौ मध्यमांते तु पावकम् । आदावंते च तार्तूयक्रमात्स्वं धूम्रकेतनम् ॥ ४३ ॥
madhyamādau nabhohaṃsau madhyamāṃte tu pāvakam | ādāvaṃte ca tārtūyakramātsvaṃ dhūmraketanam || 43 ||
中段の初めには「虚空の白鳥」(nābho-haṃsa)があり、中段の終わりには「火」(pāvaka)がある。さらに始めと終わりには、tārtūya の次第に従い、自らの「煙の旗印」(dhūmraketu)の原理を安置し、また観知すべきである。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It encodes a disciplined way of placing or recognizing specific sacred principles (symbolized as ‘sky-swan’, Agni, and Dhūmraketu) within a structured sequence, emphasizing that mantra-knowledge is not random but ordered and precise.
Though technical, it supports bhakti by insisting on correct sacred procedure: devotion in the Narada Purana is strengthened when worship and recitation follow proper Vedic order, making practice steady and effective.
Śikṣā/Vedāṅga-style sequencing (krama) and placement rules for recitation or ritual mapping—distinguishing beginnings, middles, and endings, and assigning specific identifiers to each position.