Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
संमोहनी च बाणानां देवताः पञ्च कीर्तिताः । तार्तीयवाग्मध्यगेन कामेन स्यात्षडंगकम् ॥ १५ ॥
saṃmohanī ca bāṇānāṃ devatāḥ pañca kīrtitāḥ | tārtīyavāgmadhyagena kāmena syātṣaḍaṃgakam || 15 ||
(カーマの)矢を司る主宰神は五柱と説かれ、その中にサンモーハニー(迷妄・惑乱の力)も含まれる。また、言語の第三位である「中の言葉(マディヤ・ヴァーチ)」のうちを動く者としてカーマを安置するとき、この法は六支となる。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames desire (Kāma) as a structured force governed by specific presiding powers, and links it to the doctrine of vāk (speech) so that the teaching is understood as a complete, six-part technical system rather than mere emotion.
Indirectly, it warns that enchantment/delusion (Saṁmohanī) operates through subtle channels like speech and intention; a bhakta counters this by disciplining mind and speech and redirecting desire toward Viṣṇu-centered devotion.
Mantra-vidyā language theory: the idea of graded speech (tārtīya-vāk and ‘middle’ operation) used to classify and apply teachings systematically as a ṣaḍaṅga (six-limbed) framework.