Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
माध्वीपूर्णकपालाढ्यं विघ्नराजं दिगंबरम् । पुष्करे विगलद्रत्नस्फुरच्चषकधारिणम् ॥ ३३ ॥
mādhvīpūrṇakapālāḍhyaṃ vighnarājaṃ digaṃbaram | puṣkare vigaladratnasphuraccaṣakadhāriṇam || 33 ||
我は、虚空を衣とする(裸形の)障碍王ヴィグナラージャ(ガネーシャ)を観想する。蜜酒に満ちた髑髏の鉢を豊かに飾りとし、蓮の御手に、宝玉の光が滴るかのごとく輝く杯を執り給う。
Narada (as a devotional/ritual description within the teaching context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It functions as an auspicious invocation of Vighnarāja (Gaṇeśa), emphasizing obstacle-removal and ritual readiness before undertaking sacred study or technical disciplines.
Bhakti here is expressed as dhyāna and stuti—contemplating the deity’s iconographic marks to focus the mind, invoke grace, and ensure a smooth, unobstructed practice.
It reflects the prayoga-principle used in ritual sciences: beginning any recitation, study, or rite with a vighna-śānti/āvāhana-style invocation to prevent impediments.