Narada Purana — Purva Bhaga, Shloka 73
Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
मायाधिका ह्लादिनीयुक् चन्द्राढ्या सर्गिणी पुनः । प्रतिष्ठा स्मृतिसंयुक्ता क्षुधया सहिता पुनः ॥ ७३ ॥
māyādhikā hlādinīyuk candrāḍhyā sargiṇī punaḥ | pratiṣṭhā smṛtisaṃyuktā kṣudhayā sahitā punaḥ || 73 ||
彼女はマーヤーの力が優勢であり、歓喜のシャクティ（フラーディニー）を具え、月のごとき清涼なる性質に満ち、また創造を生み出す者である。さらに彼女は「プラティシュター」として記憶（スムリティ）と結び、また飢えと共に現れる。
Sanatkumara (teaching Narada in an enumerative/technical passage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It catalogues subtle forces that bind embodied life—māyā, delight-seeking, lunar-mindedness, memory, and hunger—showing how creation and psychological drives arise together and must be understood for liberation.
By naming the inner pulls (pleasure, mental fluctuation, appetite) that distract the mind, it implicitly supports bhakti as a stabilizing remedy—turning memory and attention toward the Divine rather than toward māyā-driven cravings.
The verse uses technical classification of inner faculties and qualities (including the ‘lunar’ mental principle), aligning with a Vedāṅga-style analytical approach that supports disciplines like Jyotiṣa (lunar influence) and systematic self-observation in ritual and study.