Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
बिभ्रतीं रत्नमालां च कोटिचंद्रसमप्रभाम् । ध्यात्वा जपेदर्कलक्षं पायसेन दशांशतः ॥ ५३ ॥
bibhratīṃ ratnamālāṃ ca koṭicaṃdrasamaprabhām | dhyātvā japedarkalakṣaṃ pāyasena daśāṃśataḥ || 53 ||
宝玉の花鬘を戴き、千万の月にも等しき光を放つ彼女を観想して、アルカ真言を一ラク(十万)回ジャパすべし。ついで、その十分の一をパーヤサ(乳粥)にて供物として火中に捧げよ。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It links inner contemplation (dhyāna) with disciplined mantra practice (japa) and its ritual sealing (homa), presenting a complete upāsanā method where visualization, repetition, and offering work together.
Bhakti appears here as focused reverence through dhyāna on a luminous divine form and sustained mantra-japa, culminating in an offering that expresses surrender and gratitude through ritual action.
It reflects prayoga-style ritual science: a fixed japa-saṅkhyā (one lakh) and the standard daśāṁśa rule (10% homa relative to japa), plus the use of a specific havis (pāyasa) for oblations.