Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
वदामि श्रृणु विप्रेद्रं लोकानां सिद्धिदायकम् । तारः क्रियायुक् प्रतिष्ठा प्रीत्याढ्या च ततः परम् ॥ ३३ ॥
vadāmi śrṛṇu vipredraṃ lokānāṃ siddhidāyakam | tāraḥ kriyāyuk pratiṣṭhā prītyāḍhyā ca tataḥ param || 33 ||
我は説き明かそう—聞け、ブラーフマナの中の最勝者よ—世の人々に成就を授けるものを。(第一に)ターラ、次いで正しい儀軌を伴う実践、次に堅固なる確立、そしてその後に愛の歓喜に満ちたもの—これらを超えて至上がある。
Narada (teaching in a Vedanga/technical-instruction setting)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It lays out a graded path to siddhi: beginning with a saving sacred principle (tāra), moving through correct ritualized practice (kriyā), stabilizing it as steady establishment (pratiṣṭhā), and culminating in prīti—devotional, joyful love—pointing beyond technique to the supreme aim.
By placing prītyāḍhyā (richness of loving delight) after ritual and establishment, it implies that the highest efficacy is not mechanical performance but practice ripening into heartfelt devotion, which then leads “beyond” to the supreme.
It emphasizes kriyā-yuk—practice aligned with prescribed rites—reflecting a Vedanga-style concern for correct procedure and disciplined application, with pratiṣṭhā indicating stabilizing the practice as a consistent observance.