The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
वंशी वटी वेणुवादी गोपीचिन्तापहारकः । सर्वगोप्ता समाह्वानः सर्वगोपीमनोरथः ॥ ६८ ॥
vaṃśī vaṭī veṇuvādī gopīcintāpahārakaḥ | sarvagoptā samāhvānaḥ sarvagopīmanorathaḥ || 68 ||
彼は笛を携え、聖なる林ヴァーティの主、竹笛ヴェーヌを神妙に奏でる御方。ゴーピーの憂いを払い、万有を守護し、その呼び声は皆を集め、あらゆるゴーピーの胸の願いを成就させる。
Narada (in a devotional recitation/teaching context addressed within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents Krishna/Vishnu through intimate devotional epithets—protector of all and especially the gopīs—teaching that remembrance of the Lord’s names and qualities removes anxiety and fulfills the devotee’s inner longing.
Bhakti is shown as personal, affectionate relationship: the Lord “calls” the devotees (samāhvānaḥ), protects them (sarva-goptā), and alleviates their mental suffering (gopī-cintā-pahārakaḥ), indicating surrender and loving remembrance as the core practice.
Primarily Vyākaraṇa and Nirukta-style understanding of divine names: unpacking compound meanings (e.g., gopī-cintā-pahārakaḥ) supports accurate recitation, comprehension, and purposeful nāma-japa as a disciplined devotional practice.