The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
व्रजवासी व्रजानंदी नंदबालो दयानिधिः । लीलाबालः पद्मनेत्रो गोकुलोत्सव ईश्वरः ॥ ३९ ॥
vrajavāsī vrajānaṃdī naṃdabālo dayānidhiḥ | līlābālaḥ padmanetro gokulotsava īśvaraḥ || 39 ||
彼はヴラジャに住し、ヴラジャを歓喜で満たす。ナンダの愛児、慈悲の大海。リーラーの戯れをなす神なる童子、蓮華の眼を持つ御方。ゴークラの祭りそのもの、喜びそのものなる主である。
Narada (teaching in a devotional-epithet style within the Narada Purana’s instructional dialogue tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents Krishna as the compassionate Lord whose presence itself becomes the joy of Vraja and Gokula, teaching that God is approached not only as ruler (Īśvara) but as intimate, lovable, and grace-filled.
By emphasizing Krishna’s accessible, playful Vraja form—Nanda’s child, lotus-eyed, overflowing with mercy—it encourages affectionate remembrance (smaraṇa) and name-recitation, central practices of bhakti.
The verse functions as a structured set of divine epithets suited for nāma-stuti and nāma-japa, aligning with practical mantra/stotra usage (clear segmentation and meaningful compounds), a common applied method in Narada Purana’s instructional style.