The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
अनंतगुणसंपन्ना कृष्णकीर्तनलालसा । बीजत्रयमयी मूर्तिः कृष्णानुग्रहवांछिता ॥ १६९ ॥
anaṃtaguṇasaṃpannā kṛṣṇakīrtanalālasā | bījatrayamayī mūrtiḥ kṛṣṇānugrahavāṃchitā || 169 ||
無量の神徳を具え、彼女はクリシュナの栄光をキールタンとして歌うことを切に願う。三つのビージャ(種子音節)より成る御姿であり、クリシュナの慈悲深い加護を求める。
Sanatkumara (teaching Narada in the Vedanga/Mantra context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It portrays an ideal devotional manifestation that unites mantra-śakti (bīja-traya) with bhakti expressed as Kṛṣṇa-kīrtana, aiming solely at Kṛṣṇa’s anugraha (grace).
Bhakti is shown as an inner longing for kīrtana—continuous remembrance and praise of Kṛṣṇa—where the devotee’s goal is not display of power but receiving the Lord’s compassionate favor.
It hints at mantra-upāsanā principles used in technical traditions (linked with Vedāṅga-oriented practice): the use of bīja (seed) syllables and structured mantra-components to support focused devotion.