The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
गायत्री देवता चास्य बल्लवीवल्लभो विभुः । प्रपन्नोऽस्मीति तद्भक्तौ विनियोग उदाहृतः ॥ १३ ॥
gāyatrī devatā cāsya ballavīvallabho vibhuḥ | prapanno'smīti tadbhaktau viniyoga udāhṛtaḥ || 13 ||
このマントラの韻律はガーヤトリー(Gāyatrī)であり、主宰神は遍在の主—ゴーピーたちの愛するヴァッラバ(Vallabha)である。そのヴィニヨーガは、「我は帰依した」として、彼へのバクティのために用いられると説かれる。
Sage Narada (instructional narration within Vedanga-style mantra-lakshana)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It frames mantra-practice as a devotional act: the practitioner approaches the all-pervading Lord (Krishna) through surrender (prapatti), while correctly specifying chandas (Gāyatrī) and devatā as part of disciplined recitation.
Bhakti is expressed as prapatti—“I have taken refuge”—making surrender the inner intention (viniyoga) behind the technical mantra framework.
It highlights mantra-lakṣaṇa conventions used in Vedanga-style practice: identifying the chandas (metre), the devatā (presiding deity), and the viniyoga (application) before recitation.