Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
शब्दब्रह्म मयं वेणुमधः पाणिद्वये पुनः । गायत्रीगीतवसनं श्यामलं कोमलच्छविम् ॥ २७ ॥
śabdabrahma mayaṃ veṇumadhaḥ pāṇidvaye punaḥ | gāyatrīgītavasanaṃ śyāmalaṃ komalacchavim || 27 ||
さらにまた、音なるブラフマン(śabda-brahman)より成る笛を、両手で下に携えるお姿を見た。ガーヤトリーの歌を衣とし、シャーマの濃き色合い、やわらかな光を放っていた。
Narada (describing a vision/meditative perception within the teaching dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It identifies sacred sound (śabda-brahma) as a direct form of the Absolute and presents mantra—especially Gāyatrī—as a living, embodied power that clothes and reveals the divine presence in meditation.
By portraying the divine as approachable through sound and song, it frames devotion as attentive listening, chanting, and contemplative remembrance—where mantra becomes both ornament and vehicle of loving focus.
The verse points to mantra-śāstra and chandas (Vedic metre) through Gāyatrī, emphasizing correct recitation and sonic discipline—key concerns of Śikṣā (phonetics) and Chandas within Vedāṅga practice.