The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
जपादौ स्मरबीजाद्यो जगत्त्रयवशीकरः । पीठ प्राग्वत्समभ्यर्च्य मूर्ति संकल्प्य मूलतः ॥ १९७ ॥
japādau smarabījādyo jagattrayavaśīkaraḥ | pīṭha prāgvatsamabhyarcya mūrti saṃkalpya mūlataḥ || 197 ||
ジャパおよび関連の作法の初めには、三界を従わせる力あるカーマ・ビージャ(Kāma-bīja)等の種子音から起こすべきである。前と同様にピータ(pīṭha)を礼拝し、サンカルパ(saṅkalpa)を立て、修法の根本より専念の観想によって神格の御姿を結ぶ。
Narada
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It frames japa as a complete ritual technology: begin with potent bīja-syllables, establish the sacred base (pīṭha), and then stabilize the practice by clearly visualizing the deity’s form—making the mantra effective through both rite and inner concentration.
Bhakti here is expressed as disciplined worship: reverencing the pīṭha and mentally “bringing forth” the deity’s form (mūrti-saṅkalpa) so that remembrance and recitation become a living relationship rather than mere sound.
It highlights procedural ritual know-how—sequencing (beginning of japa), prescribed repetition “as before” (prākvat), and the technical use of bīja-mantras and saṅkalpa (intent/visualization) as part of a formal sādhanā method.