The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
द्विषट्ह्यष्टदशकलाव्याप्तानि च तथा मतः । भूताष्टां गाक्षिपदगैर्वर्णैः प्रग्विन्न्यसेद्धृदि ॥ १७ ॥
dviṣaṭhyaṣṭadaśakalāvyāptāni ca tathā mataḥ | bhūtāṣṭāṃ gākṣipadagairvarṇaiḥ pragvinnyaseddhṛdi || 17 ||
これらもまた十八のカラー(kalā)に遍満すると説かれる。さらに、心中に八つのブータ(bhūta)を、 「ga」より始まる音節と、「akṣi」「pada」の群に属する音節とを正しい順序に配して安置すべし。
Sanatkumara (teaching Narada in a technical Vedanga/nyasa context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It presents a disciplined inner-ritual (nyāsa) where elemental principles are mentally installed in the heart using ordered syllabic patterns, linking inner purification with Vedic phonetic precision.
While primarily technical, it supports bhakti by prescribing an internal consecration of the body-mind (especially the heart) so mantra-japa and Vishnu-oriented worship can be performed with steadiness and sanctity.
It highlights Śikṣā/Vedāṅga-based phonetic ordering of varṇas (syllables) and the ritual method of nyāsa—placing mantra/elemental correspondences in specific inner locations.