Dīpa-vidhi-vyākhyānam
Procedure for Lamp-Offering to Hanumān
विलिख्य मध्ये मूर्तिं च महिषीगोमयेन वै । कृत्वा डमरुहस्तां च चकिताक्षीं प्रयत्नतः ॥ ७२ ॥
vilikhya madhye mūrtiṃ ca mahiṣīgomayena vai | kṛtvā ḍamaruhastāṃ ca cakitākṣīṃ prayatnataḥ || 72 ||
次に、整えた場所の中央に、牛と水牛の糞をもって像を丁寧に描け。努めて、手にḍamaru(小太鼓)を持ち、驚いたように目を大きく見開く姿に作りなすべし。
Narada (in instruction/vidhi narration to the Sanatkumara brothers)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
It emphasizes precise ritual construction (vidhi): creating a consecrated iconographic form in the prescribed manner, using purified traditional materials like gomaya, to support the intended rite’s efficacy and protective power.
Though primarily procedural, it supports bhakti by prescribing careful, reverent preparation of a sacred form—external discipline that steadies attention and devotion during worship and observance.
It reflects kalpa-style ritual know-how (a Vedanga domain): correct materials, placement (“in the middle”), and iconographic specification, showing how technical precision is integral to performing rites.