The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
भुजैः परिघसङ्काशैर्द्दशभिश्चोपशोभितम् । अक्षस्रूत्रं गदापद्मं शङ्खं गोक्षीरसन्निभम् ॥ ५४ ॥
bhujaiḥ parighasaṅkāśairddaśabhiścopaśobhitam | akṣasrūtraṃ gadāpadmaṃ śaṅkhaṃ gokṣīrasannibham || 54 ||
十の御腕により荘厳され、各腕は鉄の棍棒のごとく力強い。御手にはアクシャ・スートラ(数珠)、ガダー(棍棒)、蓮華、そして牛乳のように白い法螺貝(シャṅカ)を持ち、光り輝かれる。
Narada (in dialogue context with the Sanatkumara brothers)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It presents a contemplative description of a Vishnu-form: the many arms signify divine omnipotence, while the conch, lotus, mace, and rosary indicate protection, purity, righteous power, and japa—supporting focused upāsanā (devotional meditation).
By giving clear visual and symbolic markers for the deity, it guides the devotee’s dhyāna and pūjā—Bhakti becomes steady through form-based remembrance (smaraṇa) and mantra-japa (akṣa-sūtra).
It aligns with śikṣā/mantra practice and ritual upāsanā: the rosary implies disciplined japa, and the precise iconographic details support correct pūjā-vidhi and dhyāna-lakṣaṇa in a technical (Book 1.3) context.