The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
उत्तरे हलधृग्विष्णुः पद्मकिञ्जल्कमसन्निभः । आग्नेय्यामरविन्दाक्षो मुसली मधुसूदनः ॥ १२१ ॥
uttare haladhṛgviṣṇuḥ padmakiñjalkamasannibhaḥ | āgneyyāmaravindākṣo musalī madhusūdanaḥ || 121 ||
北方には、毘ṣṇुはハラドリク(犂を執る者)として観想され、蓮の花粉のような色を帯びる。東南(アーグネーヤ)には、蓮華眼のマドゥスーダナが、ムサリー(杵を執る者)として、マドゥを滅する御姿でおられる。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches directional contemplation of Viṣṇu through specific names, weapons, and color-imagery, helping the practitioner stabilize dhyāna and align ritual space with sacred symbolism.
Bhakti is expressed as focused remembrance (smaraṇa) of Viṣṇu through his epithets—Haladhṛk, Aravindākṣa, Madhusūdana—so the devotee’s mind anchors in his qualities while worshiping.
It reflects a technical, ritual-application framework: using dik (direction) assignments and deity-forms for structured visualization in pūjā/nyāsa, a common method in applied sacred sciences connected with kalpa-style procedure.