Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
पुरुषोत्तमत्रिभुवनोन्मादकांतेऽग्निवर्म च । हृदयं कीर्तितं पश्चाज्जगत्क्षोभणशब्दतः ॥ १५७ ॥
puruṣottamatribhuvanonmādakāṃte'gnivarma ca | hṛdayaṃ kīrtitaṃ paścājjagatkṣobhaṇaśabdataḥ || 157 ||
次いで「プルショーत्तマ(Puruṣottama)」と「三界を惑わせる愛しき御方よ」、さらに「アグニヴァルマン(Agnivarman)」と唱えたのち、心(ハृदय)のマントラが宣示され、続いて「ジャガット・クショーバナ(Jagat-kṣobhaṇa)」—「宇宙を揺り動かす者」—を唱える。
Narada (teaching in a technical/vidyā-style sequence of sacred names/mantras)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It presents a precise sequence of divine epithets culminating in the “hṛdaya” (essence/heart-mantra), emphasizing that correctly uttered sacred names function as the concentrated essence of devotion and power.
Bhakti is framed as nāma-kīrtana (recitation of the Lord’s names): addressing Vishnu as Puruṣottama and as the enchanting beloved of all realms, the devotee approaches the Lord through affectionate, praise-filled invocation.
It reflects a technical mantra-recitation method—ordering of words/epithets and the notion of a “hṛdaya” (core formula), aligning with Vedāṅga concerns like correct utterance and structured liturgical usage.