Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
अरुणाब्जासनस्थस्य तार्क्ष्यस्योपरि संस्थितम् । पूर्वोक्तरूपिणं देवं श्रीकरं लोकमोहनम् ॥ १०४ ॥
aruṇābjāsanasthasya tārkṣyasyopari saṃsthitam | pūrvoktarūpiṇaṃ devaṃ śrīkaraṃ lokamohanam || 104 ||
赤みを帯びた蓮華の座に坐し、タークシャ(ガルダ)の上に位置するのは、先に説かれた相を具えた神である。吉祥と繁栄を授け、諸世界を魅了する御方。
Narada (teaching/description within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It directs the mind to a precise dhyāna-image of the Supreme Deity—seated on a lotus and above Garuḍa—so devotion becomes steady, auspicious (śrīkara), and world-transcending even while acknowledging the Deity’s power to enchant the worlds (lokamohana).
Bhakti is strengthened through remembrance (smaraṇa) and visualization (dhyāna) of the Lord’s form as taught earlier; focusing on the auspicious, prosperity-bestowing Lord seated above Garuḍa provides a concrete support for loving contemplation.
It reflects the practical use of dhyāna-lakṣaṇa (meditative iconography) employed alongside ritual and mantra recitation—an applied, technical method often paired with correct pronunciation and usage (Śikṣā/Vyākaraṇa-supported practice) in Purāṇic-vedic disciplines.
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