Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
आद्यं बीजं नमः शक्तिर्विनियोगोऽखिलाप्तये । वंदे बुधं सदा भक्त्या पीताम्बरविभूषणम् ॥ १२३ ॥
ādyaṃ bījaṃ namaḥ śaktirviniyogo'khilāptaye | vaṃde budhaṃ sadā bhaktyā pītāmbaravibhūṣaṇam || 123 ||
根源の種子音(アーディヤ・ビージャ)が宣示され、そのシャクティは「ナマḥ(礼拝)」であり、その用法は一切の目的成就のためである。私は常にバクティをもって、黄衣と宝飾に荘厳されたブダ(Budha/水星神)に礼拝する。
Narada (teaching in a Vedanga/astrology-oriented section; traditional dialogue frame places instruction within Narada’s discourse to sages, often traced to Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It frames Budha-upasana as both mantra-vidhi (bīja–śakti–viniyoga) and bhakti, teaching that disciplined invocation joined with devotion can support the fulfillment of aims and inner clarity.
Even while stating technical mantra components, it emphasizes “sadā bhaktyā”—constant devotion—showing that reverence and heartfelt worship are integral, not separate from ritual precision.
Vedanga Jyotiṣa practice is implied through graha-devatā worship and mantra structure (bīja, śakti, viniyoga), commonly used for graha-śānti and for strengthening Budha-related qualities like intellect and speech.