Vāmana’s Advent, Aditi’s Hymn, Bali’s Gift, and the Mahatmya of Bhū-dāna
ऋग्यजुःसामरुपाय सत्यस्वरगतात्मने । षडङ्गरुपिणे तुभ्यं भूयोभूयो नमो नमः ॥ ३५ ॥
ṛgyajuḥsāmarupāya satyasvaragatātmane | ṣaḍaṅgarupiṇe tubhyaṃ bhūyobhūyo namo namaḥ || 35 ||
幾度も幾度も汝に帰命し奉る——汝はリグ・ヤジュル・サーマの三ヴェーダとして身を成し、真なるヴェーダの声調と音韻に本質を宿し、また六つのヴェーダーンガとして顕現する。ナモー、ナマハ。
Nārada (offering praise within the Narada–Sanatkumāra dialogue context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It identifies the Supreme (Vishnu) as the living essence of Vedic revelation—Vedas, their correct accents (svara), and the Vedāṅgas—teaching that devotion is perfected when sacred knowledge and practice are aligned with truth.
Bhakti here is expressed as stuti (praise) and namaskāra (salutation) to Vishnu as the very source of mantra and scripture, implying that chanting, study, and ritual become devotional when offered to Him as their inner Self.
It emphasizes the importance of correct Vedic svara (accent/intonation, central to Śikṣā) and honors the six Vedāṅgas—Śikṣā, Vyākaraṇa, Chandas, Nirukta, Jyotiṣa, and Kalpa—as integral supports for accurate mantra, meaning, meter, timing, and ritual procedure.