Shloka 57
Adhyaya 61 — The Second Manvantara Begins: The Brahmin’s Swift Journey and Varuthini’s Temptation on Himavat
वीणावेणुस्वनं गीतं किन्नराणां मनोरमम् । अङ्गाह्लादकरो वायुरुष्णान्नमुदकं शुचि ॥
vīṇā-veṇu-svanaṃ gītaṃ kinnarāṇāṃ manoramam | aṅgāhlādakaro vāyur uṣṇānnam udakaṃ śuci ||
「ここにはヴィーナーと笛の音、キンナラたちの麗しい歌があり、四肢を喜ばせるそよ風が吹き、温かな食と清らかな水が（備わっています）。」
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FAQs
The verse completes the seduction by portraying an environment engineered for comfort and aesthetic pleasure. It implicitly contrasts such indulgence with the disciplined simplicity often associated with brāhmaṇa dharma.
Not pancalakṣaṇa; it is narrative material used to teach dharma through contrast.
Music, breeze, warm food, and pure water symbolize subtle refinements of pleasure—suggesting that bondage is not only through coarse desire but also through ‘pleasantness’ that keeps the mind externally oriented.