Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
तथा नान्यस्य भूर्लोके पाताले चापि पन्नग ।
प्रणेता रौ भवन्तौ च सर्वस्यास्य भविष्यतः ।
पाताले देवलोके च भूर्लोके चैव पन्नगौ ॥
tathā nānyasya bhūrloke pātāle cāpi pannaga / praṇetārau bhavantau ca sarvasyāsya bhaviṣyataḥ / pātāle devaloke ca bhūrloke caiva pannagau
「そして他には誰もいないであろう。地上にも、さらには地下界にも、汝ら以外には、オー・ナーガよ。来たるべき時代に、汝ら二人がこのすべての宣布者となる—パーターラにおいても、神々の世界においても、そして地上においてもまた然り、オー・ナーガたちよ。」
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Legitimate teaching is tied to authorization and responsibility: being made ‘praṇetā’ implies safeguarding integrity of knowledge across communities and times.
Not a pancalakṣaṇa core; it is a mythic charter explaining the provenance and custodianship of a śāstra.
The three realms (earth, heaven, netherworld) indicate universality of nāda: rhythmic order is a cosmic principle, not limited to human society.