Varaha-Pradurbhava Context: Prahlada’s Bhakti, Narasimha’s Ugra-Form, and Shiva’s Sharabha Intervention
परात्परतरं ब्रह्म तत्त्वात् तत्त्वतमं भवान् ज्योतिषां तु परं ज्योतिः परमात्मा जगन्मयः
parātparataraṃ brahma tattvāt tattvatamaṃ bhavān jyotiṣāṃ tu paraṃ jyotiḥ paramātmā jaganmayaḥ
汝は彼岸をも超えるブラフマン、あらゆるタットヴァを越えた最も本質なる実在。諸々の光の中で汝は至上の光、宇宙に遍満し宇宙そのものとなるパラマートマンである。
Suta Goswami (narrating a hymn/praise within the Purva-Bhaga context)
It frames the Linga as the symbol of Shiva’s supreme, all-pervading Consciousness-Light (paraṁ jyotiḥ), making Linga-puja a contemplation of the Absolute rather than mere external form.
Shiva is presented as Pati—the Paramatman beyond all tattvas (categories of manifestation), the highest Reality from which creation appears and by which it is pervaded (jaganmayaḥ).
Jyoti-dhyana (meditation on the inner Light) aligned with Pashupata-oriented insight: seeing the Self as dependent Pashu and Shiva as the transcendent yet immanent Light (Pati) who dissolves pasha (bondage).