अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
तमालगुल्मैर्निचितं सुगन्धिभिर् निकामपुष्पैर्वकुलैश् च सर्वतः अशोकपुन्नागशतैः सुपुष्पितैर् द्विरेफमालाकुलपुष्पसंचयैः
tamālagulmairnicitaṃ sugandhibhir nikāmapuṣpairvakulaiś ca sarvataḥ aśokapunnāgaśataiḥ supuṣpitair dvirephamālākulapuṣpasaṃcayaiḥ
そこは芳香ただようtamālaの藪が密に茂り、四方には花を惜しみなくつけるvakulaの樹々が並んでいた。さらにaśokaとpunnāgaの樹が幾百も咲き満ち、花の群れには蜂の列が花鬘のごとく群がり渦巻いていた。
Suta Goswami (narrating to the sages at Naimisharanya)
The verse establishes an ideal sacred environment—abundant flowers, fragrance, and living vibrancy—supporting puja through offerings (puṣpa) and cultivating sattva, which steadies the pashu (individual soul) for devotion to Pati (Shiva).
By portraying a grove overflowing with fragrance and blossoms, it reflects Shiva-tattva as auspiciousness (śiva), the inner purity and harmony that arises when pasha (bondage) is softened by devotion and sacred contemplation.
Flower-offering (puṣpārcana) and preparing a pure worship-space are implied; yogically, it supports sense-restraint and one-pointedness—key supports for Pāśupata-oriented sādhanā before deeper japa and dhyāna.