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Shloka 58

क्षुपस्य विष्णुदर्शनं, वैष्णवस्तोत्रं, दधीचविवादः, स्थानेश्वरतीर्थमाहात्म्यं

ततो विस्मयनार्थाय विश्वमूर्तिरभूद्धरिः तस्य देहे हरेः साक्षाद् अपश्यद्द्विजसत्तमः

tato vismayanārthāya viśvamūrtirabhūddhariḥ tasya dehe hareḥ sākṣād apaśyaddvijasattamaḥ

ついで驚異と霊的な見分けを呼び覚ますため、ハリは宇宙身(ヴィシュヴァムールティ)を現した。しかもハリの御身そのものの内に、最勝の再生者は自らの眼でそれを見た—それは唯一のパティ(主)が、あらゆる形相に遍満しつつも、パーシャ(束縛)を超えて在すことを示す顕現であった。

tataḥthen
tataḥ:
vismayanārthāyafor the purpose of causing wonder/amazement
vismayanārthāya:
viśva-mūrtiḥthe universal/cosmic form
viśva-mūrtiḥ:
abhūtbecame/manifested
abhūt:
hariḥHari (Vishnu)
hariḥ:
tasyaof him/that
tasya:
dehein the body
dehe:
hareḥof Hari
hareḥ:
sākṣātdirectly, manifestly
sākṣāt:
apaśyatsaw
apaśyat:
dvija-sattamaḥthe best of the twice-born (excellent Brahmin sage)
dvija-sattamaḥ:

Suta Goswami (narrating to the sages of Naimisharanya)

V
Vishnu
H
Hari
D
Dvija (sage)

FAQs

By showing the viśvamūrti (all-pervading form), the text prepares the mind for Linga-upāsanā: the Linga signifies the formless Pati who pervades every form, so worship shifts from outer appearance to the all-indwelling Lord.

Though Hari is named, the theological thrust aligns with Shaiva Siddhānta: the Supreme Pati is immanent in all bodies and worlds yet transcends pāśa (bondage). The ‘direct seeing’ hints at tattva-darśana—recognizing the One Lord beyond sectarian limitation.

It emphasizes sākṣāt-darśana through contemplative absorption: moving from vismaya (awe) to steady inner vision—an orientation compatible with Pāśupata Yoga where the pashu’s awareness turns inward to the all-pervading Lord.