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Shloka 23

श्वेतमुनिना कालस्य निग्रहः (मृत्युञ्जय-भक्ति-प्रसादः)

विनेदुरुच्चमीश्वराः सुरेश्वरा महेश्वरम् प्रणेमुरंबिकामुमां मुनीश्वरास्तु हर्षिताः

vineduruccamīśvarāḥ sureśvarā maheśvaram praṇemuraṃbikāmumāṃ munīśvarāstu harṣitāḥ

そのとき高き神々とその主たちは、讃嘆の声を高らかに響かせた。天界の統べる者らはマハーデーヴァに礼拝し、ムニの主たちは歓喜に満ちて、アンビカー・ウマー—至上者のシャクティそのもの—に五体投地した。

विनेदुःresounded/raised a loud sound (of praise)
विनेदुः:
उच्चम्loudly, on high
उच्चम्:
ईश्वराःlords (chief beings)
ईश्वराः:
सुरेश्वराःlords of the gods, divine rulers
सुरेश्वराः:
महेश्वरम्to Maheśvara (Great Lord Śiva)
महेश्वरम्:
प्रणेमुःthey bowed/prostrated
प्रणेमुः:
अम्बिकाम्to Ambikā (Divine Mother)
अम्बिकाम्:
उमाम्to Umā (Pārvatī)
उमाम्:
मुनीश्वराःlords among sages
मुनीश्वराः:
तुand/indeed
तु:
हर्षिताःdelighted, joy-filled
हर्षिताः:

Suta Goswami (narrating the scene to the sages of Naimisharanya)

S
Shiva (Maheshvara/Mahadeva)
P
Parvati (Ambika/Uma)
D
Devas (Sureshvaras)
M
Munis (Munishvaras)

FAQs

It establishes the archetypal posture of Linga-centered devotion: audible stuti and full namaskāra to Pati (Śiva) together with reverence to His Śakti (Umā), indicating that worship is complete when Shiva is honored with Shakti.

Śiva appears as Maheśvara—the supreme Lord (Pati) worthy of the devas’ surrender—while the sages’ joy signals His grace-bestowing sovereignty that loosens pāśa (bondage) and uplifts the pashu (bound soul).

The verse highlights stuti (devotional praise) and praṇāma (prostration) as foundational acts of Śaiva pūjā; as inner practice, it aligns with bhakti-based surrender that supports Pāśupata-oriented discipline.