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Agni Purana — Mantra-shastra, Shloka 9

Tvaritā-mūla-mantra and Related Details

Dīkṣā, Maṇḍala, Nyāsa, Japa, Homa, Siddhi, Mokṣa

मूलविद्यां समुच्चार्य मरुद्व्योमगतां द्विज प्रथमेन पुनश् चैव कर्णिकायां प्रपूजयेत्

mūlavidyāṃ samuccārya marudvyomagatāṃ dvija prathamena punaś caiva karṇikāyāṃ prapūjayet

おお二度生まれ(dvija)よ、根本明呪(mūla-vidyā)を明瞭に唱えたのち、第一の作法/第一の誦持によって、風と虚空に住するそれ(神力)を、蓮華の花心(karṇikā)において重ねて供養すべきである。

mūla-vidyāmthe root-mantra/primary vidyā
mūla-vidyām:
Karma (कर्म)
TypeNoun
Rootmūla (प्रातिपदिक) + vidyā (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Singular; षष्ठी-तत्पुरुषः (mūlasya vidyā)
samuccāryahaving recited
samuccārya:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootuccar (धातु) उपसर्गः sam-
FormAbsolutive/Gerund (क्त्वा/ल्यप्), ‘having uttered/recited’
marud-vyoma-gatāmgone to/placed in wind and sky (i.e., in the airy/etheric region)
marud-vyoma-gatām:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootmarut (प्रातिपदिक) + vyoman (प्रातिपदिक) + gata (प्रातिपदिक; कृदन्त-भाव)
FormFeminine, Accusative (2nd/द्वितीया), Singular; समाहार/तत्पुरुष-प्रायः (marut-vyome gatā) qualifies mūlavidyām
dvijaO twice-born (brahmin)
dvija:
Sambodhana (सम्बोधन)
TypeNoun
Rootdvija (प्रातिपदिक)
FormMasculine, Vocative (8th/सम्बोधन), Singular
prathamenawith the first (one) / firstly
prathamena:
Karaṇa (करण)
TypeAdjective
Rootprathama (प्रातिपदिक)
FormNeuter/Masculine, Instrumental (3rd/तृतीया), Singular; used adverbially ‘firstly/with the first’
punaḥagain
punaḥ:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootpunaḥ (अव्यय)
FormAdverb (क्रियाविशेषण)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय)
evaindeed
eva:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rooteva (अव्यय)
FormEmphatic particle (अवधारण)
karṇikāyāmin the pericarp/central whorl
karṇikāyām:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootkarṇikā (प्रातिपदिक)
FormFeminine, Locative (7th/सप्तमी), Singular
prapūjayetshould worship
prapūjayet:
Kriyā (क्रिया)
TypeVerb
Rootpūj (धातु) उपसर्गः pra-
FormVidhi-liṅ (विधिलिङ्/optative), Prathama-puruṣa (3rd), Singular; parasmaipada

Lord Agni (in discourse to Sage Vasiṣṭha, typical Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Tantra","practical_application":"Mantra-japa and lotus-pericarp worship: utter the mūla-vidyā and perform focused pūjā in the karṇikā, aligning the invoked power with subtle elements (vāyu/ākāśa).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Mūla-vidyā-ucchāra and karṇikā-pūjā for vāyu-ākāśa-sthita śakti","lookup_keywords":["mūla-vidyā","japa","karṇikā","vāyu","ākāśa"],"quick_summary":"After clear recitation of the root-mantra, worship again by the prescribed first method in the lotus pericarp, contemplating the mantra-power as stationed in wind and sky (subtle elements)."}

Concept: Mantra is a subtle power aligned with bhūta-tattvas; correct ucchāra and inner placement (karṇikā) stabilize realization.

Application: Train precise pronunciation and visualization: seat the mantra in the heart of the diagram (karṇikā) while contemplating its pervasion through vāyu and ākāśa.

Khanda Section: Puja-vidhi (Mantra-japa and Yantra/Padma worship procedure)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A practitioner (dvija) seated before a lotus maṇḍala, reciting the root-mantra; attention drawn to the central pericarp where the invoked presence is visualized as airy and sky-like, with subtle swirling wind motifs and open space symbolism.","kerala_mural_prompt":"Kerala mural: priestly figure chanting, lotus diagram prominent, central karṇikā glowing, stylized wind curls and blue space field around, lamps and ritual vessels, calm sacred ambience.","tanjore_prompt":"Tanjore: central lotus with gem-like karṇikā, gold aura suggesting ākāśa radiance, devotee chanting mūla-vidyā, ornate borders, rich blues for sky and gold for mantra light.","mysore_prompt":"Mysore: didactic composition showing lotus parts (petals, karṇikā) clearly, practitioner pointing/placing offerings at karṇikā, subtle wind/sky iconography, soft colors and precise lines.","mughal_miniature_prompt":"Mughal miniature: scholar-priest in a pavilion, lotus diagram on a cloth, calligraphic mantra strip, delicate depiction of wind as flowing ribbons and sky as pale blue wash, fine detailing."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: caiva = ca + eva.

Related Themes: Agni Purana 310 (mūla-vidyā, padma-cakra worship sequence; nyāsa details continue in 310.10–310.11)

M
Mūla-vidyā (root mantra)
M
Marut (wind/prāṇa principle)
V
Vyoma (sky/ākāśa principle)
K
Karṇikā (lotus pericarp, ritual/yantric center)

FAQs

It prescribes a specific pūjā step: after pronouncing the mūla-mantra, the practitioner re-applies the first recitation/procedure to worship the deity/vidyā seated in the lotus’s central karṇikā, associated with the marut (wind) and vyoma (sky) principles.

It exemplifies the Agni Purāṇa’s manual-like coverage of applied ritual technology—mantra pronunciation, element (tattva) mapping, and lotus/yantra-centered worship—alongside its many other domains (dharma, polity, medicine, arts).

By correctly uttering the root-mantra and worshipping the mantra-deity at the ritual center (karṇikā), the rite is believed to become ‘properly installed’ and efficacious—supporting purification, steadiness of prāṇa, and successful mantra-siddhi.