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Shloka 34

आयोधनदर्शनम्

Viewing the Battlefield of Kurukṣetra

तेषामाभरणान्येते गृध्रगोमायुवायसा: । आशक्षिपन्ति शिवा घोरा विनदन्त्य: पुन: पुन:,“उनके आभूषणोंको ये गीध, गीदड़, कौए और भयानक गीदड़ियाँ बारंबार चिल्लाती हुई इधर-उधर फेंकती हैं

teṣām ābharaṇāny ete gṛdhragomāyuvāyasāḥ | āśakṣipanti śivā ghorā vinadantyaḥ punaḥ punaḥ ||

Vaiśampāyana said: “These vultures, jackals, and crows are snatching away their ornaments; and the dreadful female jackals, crying out again and again, toss them about here and there.” The scene underscores the moral collapse that follows war: even the marks of dignity and household honor—ornaments—become prey amid death and disorder.

तेषाम्of them
तेषाम्:
Sambandha
TypePronoun
Rootतद्
FormMasculine/Neuter, Genitive, Plural
आभरणानिornaments
आभरणानि:
Karma
TypeNoun
Rootआभरण
FormNeuter, Accusative, Plural
एतेthese
एते:
Karta
TypePronoun
Rootएतद्
FormMasculine, Nominative, Plural
गृध्रvultures
गृध्र:
Karta
TypeNoun
Rootगृध्र
FormMasculine, Nominative, Plural
गोमायुjackals
गोमायु:
Karta
TypeNoun
Rootगोमायु
FormMasculine, Nominative, Plural
वायसाःcrows
वायसाः:
Karta
TypeNoun
Rootवायस
FormMasculine, Nominative, Plural
आ-क्षिपन्तिthrow about, fling
आ-क्षिपन्ति:
TypeVerb
Rootक्षिप्
FormPresent, Third, Plural, Parasmaipada
शिवाःfemale jackals (śivā)
शिवाः:
Karta
TypeNoun
Rootशिवा
FormFeminine, Nominative, Plural
घोराःterrible
घोराः:
Karta
TypeAdjective
Rootघोर
FormFeminine, Nominative, Plural
विनदन्त्यःhowling, crying out
विनदन्त्यः:
Karta
TypeVerb
Rootवि-नद्
FormFeminine, Nominative, Plural, शतृ (present active participle)
पुनःagain
पुनः:
TypeIndeclinable
Rootपुनः
पुनःagain
पुनः:
TypeIndeclinable
Rootपुनः

वैशम्पायन उवाच

V
Vaiśampāyana
O
ornaments (ābharaṇāni)
V
vultures (gṛdhrāḥ)
J
jackals (gomāyavaḥ)
C
crows (vāyasāḥ)
F
female jackals (śivāḥ)

Educational Q&A

The verse highlights the ethical and social ruin that follows large-scale violence: when dharma is shattered by war, even symbols of honor and domestic prosperity (ornaments) lose their sanctity and become objects of scavenging, accompanied by ominous cries that signify disorder and grief.

In the post-battle landscape described in Strīparvan, scavenger birds and animals—vultures, jackals, and crows—are depicted seizing and scattering ornaments from the fallen, while female jackals howl repeatedly, intensifying the atmosphere of horror and mourning.