Shloka 18
Adhyāya 17 — गजयुद्ध-वृत्तान्तः, सहदेव-दुःशासन-संघर्षः, नकुल-कर्ण-समागमः
Elephant-battle account; Sahadeva–Duhshasana clash; Nakula–Karna encounter
क्षुरप्रकृत्ती सुभृशं॑ सतोमरौ शुभाड़दौ चन्दनरूषितौ भुजौ । गजात् पतन््तौ युगपद् विरेजतु- ्यथाद्रिशुड्भाद रुचिरो महोरगौ,क्षुसे कटी हुई, सुन्दर बाजूबन्दसे विभूषित, चन्दनचर्चित तथा तोमरसहित वे विशाल भुजाएँ हाथीसे एक साथ गिरते समय पर्वतके शिखरसे गिरनेवाले दो सुन्दर एवं बड़े-बड़े सर्पोंके समान विभूषित हुईं इस प्रकार अपने सुहृदोंकी कही हुई ये बातें बारंबार सुनकर अर्जुनको मन-ही-मन बड़ी प्रसन्नता हुई। वे उन लोगोंका यथायोग्य आदर-सत्कार करके पुनः संशप्तकगणका वध करनेके लिये वहाँसे चल दिये ।। इति श्रीमहाभारते कर्णपर्वणि दण्डवधेडष्टादशो5 ध्याय: इस प्रकार श्रीमह्ा भारत कर्णपर्वमें दण्डधार और दण्डका वधविषयक अठारहवाँ अध्याय पूरा हुआ
sañjaya uvāca |
kṣuraprakṛttī subhṛśaṃ satomarau śubhāṅgadāu candanarūṣitau bhujau |
gajāt patantau yugapad virejatuḥ yathādriśṛṅgād rucirau mahoragau ||
Sañjaya said: “Those two mighty arms—honed like razors, bristling with javelins, adorned with splendid armlets, and anointed with sandal—shone as they fell together from the elephant, like two beautiful great serpents slipping down from a mountain peak.” The image underscores the terrible grandeur of war: even heroic strength, richly ornamented and celebrated, is brought down in an instant, turning splendor into a warning about the fragility of embodied power amid adharma-driven violence.
संजय उवाच
Educational Q&A
The verse uses a striking simile to show how quickly worldly splendor and physical prowess collapse in war; it implicitly cautions that glory rooted in violence is unstable and that embodied power is impermanent.
Sañjaya describes a warrior’s two ornamented, weapon-bearing arms falling together from an elephant, comparing the sight to two great serpents sliding down from a mountain summit—an image emphasizing both beauty and horror on the battlefield.