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Shloka 15

Śiva’s Battlefield Manifestation and Vyāsa’s Śatarudrīya Exposition (शिवप्रादुर्भावः शतरुद्रीयव्याख्यानम्)

ततः पूर्णायतोत्सृष्टे: शरैः शोणितभोजनै: । दुर्योधन द्वादशभिर्माधव: प्रत्यविध्यत,तब मधुवंशी युयुधानने धनुषको पूर्णतः खींचकर छोड़े गये बारह रक्तभोजी बाणोंद्वारा दुर्योधनको घायल कर दिया

tataḥ pūrṇāyatotsṛṣṭaiḥ śaraiḥ śoṇitabhojanaiḥ | duryodhanaṃ dvādaśabhir mādhavaḥ pratyavidhyata ||

Sañjaya said: Then Mādhava, releasing fully drawn arrows—blood-drinking shafts—struck Duryodhana with twelve of them. The scene underscores the grim reciprocity of battle: prowess and resolve are displayed through violence, while the moral weight of war remains inescapable.

ततःthen, thereafter
ततः:
Adhikarana
TypeIndeclinable
Rootततः (तद्-प्रातिपदिकात् अव्यय)
पूर्णायतfully drawn out (i.e., fully stretched)
पूर्णायत:
Apadana
TypeAdjective
Rootपूर्णायत (विशेषण-प्रातिपदिक)
FormNeuter, Ablative, Singular (as part of ablative compound with उत्सृष्टेः)
उत्सृष्टेःfrom the discharge/letting go (of the bow/arrow)
उत्सृष्टेः:
Apadana
TypeNoun
Rootउत्सृष्टि (स्त्रीलिङ्ग-प्रातिपदिक; √सृज् + उत्, क्तिन्)
FormFeminine, Ablative, Singular
शरैःwith arrows
शरैः:
Karana
TypeNoun
Rootशर (पुंलिङ्ग-प्रातिपदिक)
FormMasculine, Instrumental, Plural
शोणितभोजनैःblood-feeding (blood-drinking)
शोणितभोजनैः:
Karana
TypeAdjective
Rootशोणित-भोजन (प्रातिपदिक)
FormMasculine, Instrumental, Plural (agreeing with शरैः)
दुर्योधनम्Duryodhana
दुर्योधनम्:
Karma
TypeNoun
Rootदुर्योधन (पुंलिङ्ग-प्रातिपदिक)
FormMasculine, Accusative, Singular
द्वादशभिःwith twelve
द्वादशभिः:
Karana
TypeAdjective
Rootद्वादशन् (संख्यावाचक-प्रातिपदिक)
FormMasculine/Neuter, Instrumental, Plural (agreeing with शरैः)
माधवःMādhava (Krishna)
माधवः:
Karta
TypeNoun
Rootमाधव (पुंलिङ्ग-प्रातिपदिक)
FormMasculine, Nominative, Singular
प्रत्यविध्यत्pierced/struck
प्रत्यविध्यत्:
TypeVerb
Rootप्रति-√व्यध् (तुदादि)
FormImperfect (Laṅ), 3rd person, Singular, Parasmaipada

संजय उवाच

S
Sañjaya
D
Duryodhana
M
Mādhava
A
arrows (śara)

Educational Q&A

The verse highlights the harsh ethic of battlefield duty: skill and determination manifest as decisive action, yet the imagery of “blood-drinking” arrows reminds the listener that war, even when framed as kṣatriya-dharma, carries grave moral and human cost.

Sañjaya reports a combat moment in which Mādhava releases fully drawn arrows and hits Duryodhana with twelve shafts, indicating a forceful counterstrike and the intensification of the duel-like exchanges within the larger Kurukṣetra war.