Previous Verse
Next Verse

Shloka 26

धृतराष्ट्र-संजय-संवादः — सात्यकि-अलम्बुसयोर्युद्धवर्णनम्

Dhṛtarāṣṭra–Saṃjaya Dialogue; Account of Sātyaki vs Alambusa

सिंहनादं ततः कृत्वा द्रोणं विव्याध सात्यकि: । दशभि: सायकैश्चान्यै: पड़भिरष्टाभिरेव च,उन्होंने सिंहनाद करके लगातार दस, छ: और आठ बाणोंद्वारा टद्रोणाचार्यको गहरी चोट पहुँचायी

siṃhanādaṃ tataḥ kṛtvā droṇaṃ vivyādha sātyakiḥ | daśabhiḥ sāyakaiś cānyaiḥ ṣaḍbhir aṣṭābhir eva ca ||

Sañjaya said: Then, after uttering a lion-like battle-cry, Sātyaki pierced Droṇācārya with arrows—first with ten, and then again with six and with eight more—striking him hard in the midst of the righteous yet devastating clash of kinsmen, where prowess is displayed but the moral cost of war steadily deepens.

सिंहनादम्lion-roar (battle-cry)
सिंहनादम्:
Karma
TypeNoun
Rootसिंहनाद
FormMasculine, Accusative, Singular
ततःthen, thereafter
ततः:
TypeIndeclinable
Rootततः
कृत्वाhaving made/done
कृत्वा:
TypeVerb
Rootकृ
Formक्त्वा (absolutive/gerund), Parasmaipada (usage-neutral)
द्रोणम्Drona
द्रोणम्:
Karma
TypeNoun
Rootद्रोण
FormMasculine, Accusative, Singular
विव्याधpierced, struck
विव्याध:
TypeVerb
Rootव्यध्
FormPerfect (Liṭ), 3rd, Singular, Parasmaipada
सात्यकिःSatyaki
सात्यकिः:
Karta
TypeNoun
Rootसात्यकि
FormMasculine, Nominative, Singular
दशभिःwith ten
दशभिः:
Karana
TypeAdjective
Rootदशन्
FormMasculine/Neuter, Instrumental, Plural
सायकैःwith arrows
सायकैः:
Karana
TypeNoun
Rootसायक
FormMasculine, Instrumental, Plural
and
:
TypeIndeclinable
Root
अन्यैःwith other (ones)
अन्यैः:
Karana
TypeAdjective
Rootअन्य
FormMasculine/Neuter, Instrumental, Plural
षड्भिःwith six
षड्भिः:
Karana
TypeAdjective
Rootषष्
FormMasculine/Neuter, Instrumental, Plural
अष्टाभिःwith eight
अष्टाभिः:
Karana
TypeAdjective
Rootअष्टन्
FormMasculine/Neuter, Instrumental, Plural
एवindeed, just
एव:
TypeIndeclinable
Rootएव
and
:
TypeIndeclinable
Root

संजय उवाच

संजय (Sañjaya)
द्रोण (Droṇa/Droṇācārya)
सात्यकि (Sātyaki/Yuyudhāna)
सायक (arrows)

Educational Q&A

The verse highlights the warrior ethos—courage and decisive action—while implicitly reminding the reader that even justified martial duty (kṣatriya-dharma) unfolds within a tragic moral landscape: revered figures like Droṇa become targets, showing how war strains bonds of respect and kinship.

Sañjaya reports that Sātyaki, after a fierce lion-like shout, shoots Droṇa with successive volleys of arrows—ten, then six, then eight—indicating an intense exchange and Sātyaki’s aggressive attempt to check Droṇa on the battlefield.