Shloka 19
पाण्डव-वृष्णि-समागमः तथा अश्वमेध-अनुज्ञा | Reunion at the Kuru Court and Authorization of the Aśvamedha
आसीदू् वैश्रवणस्येव निवासस्तत्पुरं तदा । वन्दिभिश्न नरै राजन् स्त्रीसहायैश्व सर्वश:,अदर्शयन्निव तदा कुरून् वै दक्षिणोत्तरान् | राजन्! उस समय वह नगर कुबेरकी अलकापुरीके समान प्रतीत होता था। वहाँ सब ओर एकान्त स्थानोंमें स्त्रियोंसहित बंदीजन खड़े थे, जिनसे उस पुरीकी शोभा बढ़ गयी थी। उस समय हवाके झोंकेसे नगरमें सब ओर पताकाएँ फहरा रही थीं, जो दक्षिण और उत्तर कुरु नामक देशोंकी शोभा दिखाती थीं
āsīd vaiśravaṇasyeva nivāsas tat-puraṁ tadā | vandibhiś ca naraiḥ rājan strī-sahāyaiś ca sarvaśaḥ | adarśayann iva tadā kurūn vai dakṣiṇottarān ||
Vaiśampāyana said: At that time that city looked like the very abode of Vaiśravaṇa (Kubera), splendid and prosperous. O King, in secluded places all around stood bards and attendants together with women, enhancing the beauty of the capital. Then, as the wind stirred the banners throughout the city, it seemed as though the city itself were displaying the glory of the Kurus—both the Southern and the Northern realms—through its fluttering standards.
वैशम्पायन उवाच
Educational Q&A
The verse highlights the ethical ideal of a well-ordered kingdom: prosperity, public harmony, and cultural refinement (bards, orderly celebration) are presented as signs of good governance and collective dignity, where the realm’s identity is upheld without violence—through beauty, ceremony, and social cohesion.
The narrator describes a city at a festive moment, comparing it to Kubera’s splendid residence. Bards and people stand throughout the city, and wind-driven banners flutter everywhere, making it seem as if the city is showcasing the grandeur of the Kuru domains—both southern and northern.