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Shloka 3

Śakuntalā’s Satya-Discourse and the Recognition of Bharata (शकुन्तला–सत्योपदेशः; भरतप्रतिग्रहः)

वैशम्पायन उवाच स कदाचिन्महाबाहु: प्रभूतनलवाहन:,वैशम्पायनजीने कहा--एक समयकी बात है, महाबाहु राजा दुष्यन्त बहुत-से सैनिक और सवारियोंको साथ लिये सैकड़ों हाथी-घोड़ोंसे घिरकर परम सुन्दर चतुरंगिणी सेनाके साथ एक गहन वनकी ओर चले

vaiśampāyana uvāca | sa kadācin mahābāhuḥ prabhūta-nara-vāhanaḥ śataśo hastibhir aśvaiś ca parivṛtaḥ paramasundarāṃ caturaṅgiṇīṃ senām ādāya gahanaṃ vanaṃ prati jagāma |

Vaiśampāyana said: Once, the mighty-armed King Duṣyanta, accompanied by abundant troops and conveyances, surrounded by hundreds of elephants and horses, set out with a splendid fourfold army toward a dense forest. The scene frames a ruler’s worldly power and order—yet it also foreshadows how royal duty (kṣātra-dharma) can lead one into encounters that test judgment, restraint, and responsibility.

वैशम्पायनःVaiśampāyana
वैशम्पायनः:
Karta
TypeNoun
Rootवैशम्पायन
FormMasculine, Nominative, Singular
उवाचsaid/spoke
उवाच:
Karta
TypeVerb
Rootवच्
FormPerfect (Liṭ), 3rd, Singular
सःhe
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
कदाचित्once/sometime
कदाचित्:
Adhikarana
TypeIndeclinable
Rootकदाचित्
महाबाहुःthe mighty-armed one
महाबाहुः:
Karta
TypeAdjective
Rootमहाबाहु
FormMasculine, Nominative, Singular
प्रभूतabundant/many
प्रभूत:
Karma
TypeAdjective
Rootप्रभूत
FormNeuter, Accusative, Singular
नलof reeds (nala)
नल:
Karma
TypeNoun
Rootनल
FormMasculine, Genitive, Plural
वाहनःhaving/using as conveyance
वाहनः:
Karta
TypeAdjective
Rootवाहन
FormMasculine, Nominative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
K
King Duṣyanta
C
caturaṅgiṇī senā (fourfold army)
E
elephants
H
horses
F
forest (vana)

Educational Q&A

The verse highlights the outward completeness of royal power—troops, mounts, and disciplined organization—while implicitly setting up the ethical idea that true kingship is tested not by display of force but by conduct and responsibility when circumstances change (here, entering the forest).

Vaiśampāyana describes King Duṣyanta departing with a splendid fourfold army, surrounded by many elephants and horses, proceeding toward a dense forest—an opening movement that leads into the forest episode central to Duṣyanta’s story.