HomeVaraha PuranaAdhyaya 89Shloka 12
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Varaha Purana 89.12: Adhyaya 89, Shloka 12

The Hierarchy of the Trimūrti and the Manifestation of the Goddess Trikalā

ततस्तेषां त्रिधा दृष्टिर्भूत्वैका समजायता । तस्यां दृष्ट्यां समुत्पन्ना कुमारी दिव्यरूपिणी ॥

Sanskrit recitationVaraha Purana 89.12

tatas teṣāṁ tridhā dṛṣṭir bhūtvāikā samajāyatā | tasyāṁ dṛṣṭyāṁ samutpannā kumārī divyarūpiṇī ||

Lalu penglihatan mereka yang tiga menjadi satu; dari tatapan yang menyatu itu muncullah seorang gadis berwujud ilahi.

tataḥthen
tataḥ:
Adhikarana (अधिकरण)
TypeIndeclinable
Roottatas (अव्यय-प्रातिपदिक)
Formअव्यय, अनुक्रमवाचक
teṣāmof them
teṣām:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (Genitive), बहुवचन
tridhāthreefold
tridhā:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottridhā (अव्यय)
Formअव्यय, त्रिधा-शब्दः (in three ways/threefold)
dṛṣṭiḥvision/gaze
dṛṣṭiḥ:
Karta (कर्ता)
TypeNoun
Rootdṛṣṭi (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
bhūtvāhaving become
bhūtvā:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootbhū (धातु)
Formक्त्वान्त (absolutive), ‘having become’
ekāone/single
ekā:
Karta (कर्ता)
TypeAdjective
Rooteka (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण of ‘dṛṣṭiḥ’
samajāyatāwas born/arose
samajāyatā:
Kriya (क्रिया)
TypeVerb
Rootsam+jan (धातु)
Formलङ् (Imperfect/Past), प्रथमपुरुष, एकवचन; आत्मनेपद
tasyāmin that (vision)
tasyām:
Adhikarana (अधिकरण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (Locative), एकवचन; refers to ‘dṛṣṭi’
dṛṣṭyāmin the gaze/vision
dṛṣṭyām:
Adhikarana (अधिकरण)
TypeNoun
Rootdṛṣṭi (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (Locative), एकवचन
samutpannāarisen/produced
samutpannā:
Karta (कर्ता)
TypeVerb
Rootsam+ut+pad (धातु) > samutpanna (कृदन्त-प्रातिपदिक)
Formभूतकृदन्त (past active participle), स्त्रीलिङ्ग, प्रथमा, एकवचन
kumārīa maiden/girl
kumārī:
Karta (कर्ता)
TypeNoun
Rootkumārī (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
divya-rūpiṇīof divine form
divya-rūpiṇī:
Karta (कर्ता)
TypeAdjective
Rootdivya + rūpinī (प्रातिपदिक)
Formसमास: divya+rūpiṇī (कर्मधारय ‘having divine form’); स्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण of ‘kumārī’

Narrator (default framework: Varāha-to-Pṛthivī context, not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Creation arises from unified consciousness: the threefold divine ‘vision’ (dṛṣṭi) becomes one, and from that concentrated gaze manifests a śakti-like figure (kumārī). This mirrors the Purāṇic idea that form emerges from saṅkalpa/tejas when powers are integrated.","yajna_varaha_imagery":"Not explicit; the ‘unified gaze’ functions like the ritual fire’s single flame arising from many kindlings—an inner yajña producing a deity-form.","vedantic_connection":"From ekāgratā (one-pointedness) arises manifestation; śakti emerges from brahman’s/īśvara’s unified power—compatible with Vedāntic accounts of māyā/śakti as the projecting potency."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmology/metaphysics","core_concept":"Multiplicity resolves into unity, and unity becomes the womb of new manifestation—integration precedes creative emergence.","practical_application":"Before initiating action, unify scattered attention (dṛṣṭi → ekā); from collected awareness, right ‘forms’ (decisions/insights) arise."}

Subject Matter: ["Mythic Theogony (manifestation)","Unity-to-creation motif","Iconography (divyarūpa)"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: cosmic/theogonic scene

Related Themes: Varāha Purāṇa: immediate continuation into the maiden’s iconographic description (89.89.19)

Visual Art Cues: {"scene_description":"From the converged rays of the Trimūrti’s gaze, a radiant maiden appears—born of light, standing in the center where their visions meet.","item_prompts":["three beams of light merging into one","a maiden emerging from the merged light","aura like a lotus or flame around her","Trimūrti in the background with focused eyes","cosmic darkness lit by the new form"],"kerala_mural_prompt":"Kerala mural: stylized light-beams converging; kumārī with divine ornaments and serene stance; strong outlines, saturated colors, symmetrical framing.","tanjore_prompt":"Tanjore: gold-leaf radiance for the merged gaze; kumārī with embossed halo and jewelry; triad as flanking figures with ornate arches.","mysore_prompt":"Mysore: soft luminous gradients for the gaze; kumārī delicately modeled; emphasis on gentle emergence rather than dramatic burst.","pahari_prompt":"Pahari: poetic depiction of light turning into a maiden; pastel aura-clouds; expressive faces of the triad witnessing the epiphany."}

Audio Atmosphere: {"recitation_mood":"wonder-struck","suggested_raga":"Bhairavi","pace":"vilambita (slow)","voice_tone":"hushed, luminous, reverent"}

C
Classical Literature
P
Purāṇic Narrative
M
Mythology
I
Iconographic Motifs

FAQs

It preserves a mythic mechanism of manifestation via dṛṣṭi (gaze/vision), a motif that supports comparative study with other Purāṇic and Tantric creation narratives.

No geographic location is mentioned.

Not a direct ethical teaching; the verse emphasizes unity as a generative principle within the narrative.

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