Varaha Purana 197.41 — Adhyaya 197, Shloka 41
The Division of the Gates of Yama’s City and the Description of the Tribunal Hall
स्रग्विणो बद्धपादाश्च सर्वाभरणभूषिताः ॥ सकुठाराः सकुद्दालाः सचक्राः शूलपाणयः ॥
sragviṇo baddhapādāśca sarvābharaṇabhūṣitāḥ || sakuṭhārāḥ sakuddālāḥ sacakrāḥ śūlapāṇayaḥ ||
Sebagian mengenakan untaian bunga, sebagian kakinya terikat, dan semuanya berhias perhiasan; sebagian membawa kapak dan cangkul, sebagian memanggul senjata cakra, dan sebagian menggenggam tombak (śūla).
Varāha
Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"None","key_question":"None"}
Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}
Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}
Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}
Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"narrative-ethics (mortality imagery)","core_concept":"Even amid adornment and power, embodied beings remain subject to impermanence; martial splendor is a transient display.","practical_application":"Cultivate vairāgya while engaging in worldly roles; read external pomp as a prompt for inner discipline."}
Subject Matter: ["Mythic narrative","Iconography","Ethics (mortality imagery)"]
Primary Rasa: vīra
Secondary Rasa: adbhuta
Type: mythic/unspecified setting
Related Themes: Varāha Purāṇa 197.46-49 (continued catalogue of retinue/attendants and their implements)
Visual Art Cues: {"scene_description":"A richly adorned group in procession: garlanded figures with bound feet/anklets, glittering ornaments, each holding distinct weapons—axes, spades, discus, and spears—forming a dense iconographic frieze.","item_prompts":["garlands (srag)","ornaments/jewelry","bound feet/anklets","axe (kuṭhāra)","spade/hoe (kuddāla)","discus (cakra)","spear (śūla)","processional grouping"],"kerala_mural_prompt":"Kerala mural style: flat yet luminous palette, ornate jewelry, rhythmic repetition of weapon-bearers, lotus-like facial features, dense procession composition.","tanjore_prompt":"Tanjore style: gold-leaf heavy ornaments and halos, embossed jewelry, weapon highlights in metallic sheen, frontal iconic grouping.","mysore_prompt":"Mysore style: delicate linework, soft shading, refined textiles and garlands, balanced arrangement of varied weapons.","pahari_prompt":"Pahari style: crisp outlines, bright garments, narrative procession in a hilly courtly setting, stylized weapons and garlands."}
Audio Atmosphere: {"recitation_mood":"martial-pageantry","suggested_raga":"Bhairav","pace":"medium","voice_tone":"firm, declarative, cataloguing"}
FAQs
Weapon lists in Purāṇas preserve conventional martial vocabulary and symbolic imagery, often used to portray cosmic governance and the inevitability of karmic consequence.
No geographic site is specified in this verse.
The verse indirectly underscores discipline and consequence by associating order-enforcing figures with instruments of restraint and force.
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