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Varaha Purana 177.5 — Adhyaya 177, Shloka 5

The Curse of Sāmba and the Prescribed Observance of Sun-Worship

साम्बं दृष्ट्वा च सर्वासां क्षुभ्यते च मनः प्रभो ॥ एतत्तु ब्रह्मलोके च गीयते दैवतैः स्वयम् ॥

sāmbaṃ dṛṣṭvā ca sarvāsāṃ kṣubhyate ca manaḥ prabho || etattu brahmaloke ca gīyate daivataiḥ svayam

Wahai Prabhu, ketika melihat Sāmba, hati mereka semua menjadi gelisah. Perihal ini bahkan dinyanyikan di alam Brahmā oleh para dewa sendiri.

sāmbamSamba
sāmbam:
Karma (कर्म/Object of dṛṣṭvā)
TypeNoun
Rootsāmba (प्रातिपदिक)
FormPuṃliṅga, Dvitīyā (2nd/acc), Ekavacana
dṛṣṭvāhaving seen
dṛṣṭvā:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Root√dṛś (दृश् धातु) (कृदन्त)
FormAbsolutive (क्त्वा), gerund; ‘having seen’
caand
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
sarvāsāmof all (those women)
sarvāsām:
Sambandha (सम्बन्ध)
TypeNoun
Rootsarva (प्रातिपदिक)
FormStrīliṅga, Ṣaṣṭhī (6th/gen), Bahuvacana
kṣubhyateis agitated
kṣubhyate:
Kriyā (क्रिया)
TypeVerb
Root√kṣubh (क्षुभ् धातु)
FormLaṭ lakāra (present), Prathama puruṣa (3rd person), Ekavacana; ātmanepada (passive-like intransitive)
caand
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
manaḥmind
manaḥ:
Karta (कर्ता)
TypeNoun
Rootmanas (प्रातिपदिक)
FormNapुंसकलिङ्ग, Prathamā (1st/nom), Ekavacana
prabhoO lord
prabho:
Sambodhana (सम्बोधन)
TypeNoun
Rootprabhu (प्रातिपदिक)
FormPuṃliṅga, Sambodhana (voc), Ekavacana
etatthis
etat:
Karta (कर्ता)
TypeNoun
Rootetad (सर्वनाम-प्रातिपदिक)
FormNapुंसकलिङ्ग, Prathamā (1st/nom), Ekavacana
tuindeed
tu:
Nipāta (निपात)
TypeIndeclinable
Roottu (अव्यय)
FormAvyaya; particle
brahma-lokein Brahma-loka
brahma-loke:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootbrahman (प्रातिपदिक) + loka (प्रातिपदिक)
FormPuṃliṅga, Saptamī (7th/loc), Ekavacana; तत्पुरुष: brahmaṇaḥ lokaḥ
caalso
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
gīyateis sung/recited
gīyate:
Kriyā (क्रिया)
TypeVerb
Root√gai (गै धातु)
FormLaṭ lakāra (present), Prathama puruṣa, Ekavacana; karmaṇi prayoga (passive)
daivataiḥby the gods
daivataiḥ:
Kartṛ-karaṇa (कर्ता in passive / Agent-instrument)
TypeNoun
Rootdaivata (प्रातिपदिक)
FormNapुंसकलिङ्ग (collective), Tṛtīyā (3rd/instr), Bahuvacana
svayamthemselves
svayam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootsvayam (अव्यय)
FormAvyaya; reflexive adverb ‘by themselves’

Unspecified (Nārada speaking within Varāha’s narrated discourse)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"Sāmba is identified as Kṛṣṇa’s son; the verse highlights the moral-psychological danger of uncontrolled attraction within Kṛṣṇa’s extended household."}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"psychology of desire (kāma)","core_concept":"Darśana (seeing) can trigger kṣobha (agitation) in the mind; unchecked attraction becomes a destabilizing force.","practical_application":"Guard the senses; create protective norms and self-restraint where beauty and proximity can inflame desire."}

Subject Matter: ["Historical Narrative","Ethics"]

Primary Rasa: bhayānaka

Secondary Rasa: śṛṅgāra

Type: celestial realm

Related Themes: Varāha Purāṇa 177 (build-up to admonition/quoted authority)

Visual Art Cues: {"scene_description":"Sāmba appears; groups of women react with visible mental agitation; above/behind, a celestial chorus in Brahmaloka is implied as singing of the matter.","item_prompts":["Sāmba radiant and youthful","women with startled/enchanted expressions","visual motif of ‘agitated mind’ (fluttering scarves, restless posture)","celestial musicians/chorus in upper register of the painting"],"kerala_mural_prompt":"Kerala mural: stylized expressive eyes, dynamic hand gestures showing kṣobha, layered composition with Brahmaloka musicians above.","tanjore_prompt":"Tanjore: central Sāmba with halo, surrounding queens/apsaras, upper panel with deities singing; gold accents for celestial realm.","mysore_prompt":"Mysore: controlled drama—subtle agitation in faces, refined court setting, faint celestial vignette overhead.","pahari_prompt":"Pahari: narrative split-scene—foreground court encounter, background/sky Brahmaloka singers; delicate emotional expressions."}

Audio Atmosphere: {"recitation_mood":"tense and cautionary","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"grave, warning-inflected"}

P
Purāṇic Narrative
M
Mythic Cosmology (Brahmaloka reference)
M
Moral Psychology

FAQs

It shows how Purāṇic narratives legitimize events through cosmic witness (Brahmaloka, deities), a literary strategy that amplifies social-moral themes.

Brahmaloka is a cosmological locale rather than a terrestrial geography; the earthly setting remains Dvārakā by context.

It foregrounds the theme of mental agitation (kṣobha) as a driver of consequential action, preparing the reader for an ethics-of-restraint narrative.

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