Varaha Purana 172.47 — Adhyaya 172, Shloka 47
The Harm of Destroying a Grove and the Merit of Tree-Planting as Pūrta-Dharma
उत्पपात ततः स्थानाद्यत्र राजा व्यवस्थितः ॥ राज्ञे निवेदयामास रत्नानि सुबहूनि च ॥
utpapāta tataḥ sthānād yatra rājā vyavasthitaḥ || rājñe nivedayāmāsa ratnāni subahūni ca ||
Kemudian ia segera bergegas dari tempat itu ke tempat raja berada, dan ia mempersembahkan kepada raja banyak sekali permata.
Varāha
Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}
Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}
Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}
Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}
Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"nīti (courtly ethics)","core_concept":"Upahāra (gift-offering) as a social-sacral act that establishes trust and auspicious rapport with authority.","practical_application":"Approach leaders with respectful offerings and clear intent; let material gifts serve dharmic relationship-building rather than greed."}
Subject Matter: ["Royal audience","Material culture (ratna)","Narrative movement"]
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: royal court/assembly hall
Related Themes: Varāha Purāṇa 172.53-56 (royal reception; āścarya; senāpati instruction)
Visual Art Cues: {"scene_description":"A dignified figure hastens into a royal hall and presents a heap of jewels before a seated king attended by courtiers.","item_prompts":["king on throne","court pillars and canopy","messenger/guest in motion","piled jewels (ratna) in cloth or casket","attendants and guards","gesture of offering (nivedana)"],"kerala_mural_prompt":"Kerala mural style: flat yet ornate court interior, saturated reds/ochres, stylized jewelry heap, formal hand-gestures (mudrā) of offering.","tanjore_prompt":"Tanjore style: central king with gold-leaf throne and arch, raised jewel textures, rich textiles, symmetrical attendants.","mysore_prompt":"Mysore style: refined linework, soft shading, elegant court architecture, jewel casket rendered with delicate highlights.","pahari_prompt":"Pahari style: intimate palace chamber, lyrical figures, patterned floor, jewel heap as bright focal accent against muted background."}
Audio Atmosphere: {"recitation_mood":"narrative-formal","suggested_raga":"Kambhoji","pace":"medium","voice_tone":"clear, courtly, descriptive"}
FAQs
It provides a literary snapshot of diplomatic/ritual exchange (presentation of valuables) that parallels known patterns of elite interaction in premodern South Asia.
No explicit place-name appears in this verse; it situates action at a royal station or court setting.
The narrative reinforces norms of formal approach—seeking audience properly and offering gifts as markers of respect and intent.
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