मल्लिकाख्ये तथा विष्णुर्महेन्द्रे भार्गवस्तथा । गोनर्दः स्थविराकारे ह्युज्जयिन्यां पितामहः
mallikākhye tathā viṣṇurmahendre bhārgavastathā | gonardaḥ sthavirākāre hyujjayinyāṃ pitāmahaḥ
Demikian pula, di Mallikākhya Aku adalah Viṣṇu; di Mahendra Aku adalah Bhārgava. Di Gonarda Aku menampakkan diri dalam wujud seorang tetua; dan di Ujjayinī Aku adalah Pitāmaha, Sang Kakek Agung.
Sūta (Lomaharṣaṇa) to the sages (deduced)
Tirtha: Mahendra; Ujjayinī
Type: peak
Scene: Four scenes: Mallikākhya—Viṣṇu amid jasmine garlands; Mahendra—Bhārgava/Paraśurāma on a mountain with axe; Gonarda—an aged, compassionate ‘Sthavira’ form blessing devotees; Ujjayinī—Pitāmaha (Brahmā) seated on lotus near a grand city-temple skyline by the Shiprā.
Sacred places are portrayed as living theologies: the same divine principle is honored as Viṣṇu, Bhārgava, or Pitāmaha according to the kṣetra.
Ujjayinī (Ujjain) is explicitly named, along with Mallikākhya, Mahendra, and Gonarda.
None is specified in this verse; it functions as a catalog for pilgrimage remembrance and kṣetra-reverence.