मानुषेणैव रूपेण त्यक्त्वा तां बदरीं शुभाम् । प्रसिद्ध्यर्थं मया चात्र प्रासादोऽयं विनि र्मितः । मन्नाम्ना नरसंज्ञश्च श्रद्धापूतेन चेतसा
mānuṣeṇaiva rūpeṇa tyaktvā tāṃ badarīṃ śubhām | prasiddhyarthaṃ mayā cātra prāsādo'yaṃ vini rmitaḥ | mannāmnā narasaṃjñaśca śraddhāpūtena cetasā
“Dengan meninggalkan kediaman Badarī yang suci itu dan mengambil wujud manusia, demi kemasyhuran tempat ini aku telah membangun prāsāda (kuil) ini di sini. Dan dengan batin yang disucikan oleh śraddhā, tempat ini hendaknya dikenal dengan namaku, ‘Nara.’”
Viṣṇu/Hari (implied, speaking about his own form and temple)
Tirtha: Nara-tīrtha / Nara-prāsāda-sthāna (implied)
Type: kshetra
Listener: Brāhmaṇas/dvijas
Scene: Nara, in human form, gestures toward a newly built temple (prāsāda), declaring that it bears his name; the aura of Badarī is evoked as a distant Himalayan memory contrasted with the present western kṣetra.
Divine presence becomes accessible through a human-facing form and a consecrated shrine; śraddhā purifies the mind and makes worship fruitful.
Badarī and its connected local shrine/temple where Hari is present in a human-associated manifestation linked with the name ‘Nara.’
No detailed rite is given here; it establishes the temple’s purpose (prasiddhi) and emphasizes worship with faith (śraddhā).