तत्र स्नानेन दानेन श्रद्धया द्विजभोजनैः । जपहोमार्चनैः पुंसामक्षयं सर्वमेव हि
tatra snānena dānena śraddhayā dvijabhojanaiḥ | japahomārcanaiḥ puṃsāmakṣayaṃ sarvameva hi
Di sana—melalui mandi suci, sedekah, perbuatan dengan śraddhā, menjamu para dvija (brāhmaṇa), serta japa, homa, dan arcana—segala sesuatu menjadi pahala yang tak binasa bagi seseorang.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Type: kshetra
Scene: A composite ritual tableau: pilgrims bathing; a donor giving food and coins; brāhmaṇas seated for bhojana; a small homa fire; a devotee performing liṅga-arcana—unified by a radiant ‘akṣaya’ aura.
When dharmic acts are performed in a sanctified tīrtha with śraddhā, their spiritual fruit becomes ‘akṣaya’—enduring and transformative.
The verse refers to the sanctity of the previously mentioned Kāśī tīrtha-context (Svarlīna/Svarlīneśvara vicinity), emphasizing its power to make merits imperishable.
Snāna (bathing), dāna (charity), dvijabhojana (feeding brāhmaṇas), japa (recitation), homa (oblations), and arcana (worship), all done with śraddhā.