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Skanda Purana — Kashi Khanda, Shloka 22

नैमिषं च कुरुक्षेत्रं गंगाद्वारमवंतिका । अयोध्या मथुरा चैव द्वारकाप्यमरावती

naimiṣaṃ ca kurukṣetraṃ gaṃgādvāramavaṃtikā | ayodhyā mathurā caiva dvārakāpyamarāvatī

Naimiṣa dan Kurukṣetra; Gaṅgādvāra (Haridvāra) dan Avantikā (Ujjayinī); Ayodhyā dan Mathurā; serta Dvārakā dan Amarāvatī—semuanya pun termasyhur sebagai dhāma suci yang terkait dengan pembebasan.

नैमिषम्Naimiṣa (Naimiṣāraṇya)
नैमिषम्:
Karma (Object/कर्म)
TypeNoun
Rootनैमिष (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; तीर्थनाम
and
:
Sambandha (Conjunction/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक-निपात (and)
कुरुक्षेत्रम्Kurukṣetra
कुरुक्षेत्रम्:
Karma (Object/कर्म)
TypeNoun
Rootकुरु (प्रातिपदिक) + क्षेत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; षष्ठी-तत्पुरुषः (कुरूणां क्षेत्रम्)
गंगाद्वारम्Gaṅgādvāra (Haridvāra)
गंगाद्वारम्:
Karma (Object/कर्म)
TypeNoun
Rootगङ्गा (प्रातिपदिक) + द्वार (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2), एकवचन; षष्ठी-तत्पुरुषः (गङ्गायाः द्वारम्)
अवंतिकाAvantikā (Ujjayinī)
अवंतिका:
Karma (Object/कर्म)
TypeNoun
Rootअवंतिका/अवन्तिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1), एकवचन; नगरनाम
अयोध्याAyodhyā
अयोध्या:
Karma (Object/कर्म)
TypeNoun
Rootअयोध्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1), एकवचन; नगरनाम
मथुराMathurā
मथुरा:
Karma (Object/कर्म)
TypeNoun
Rootमथुरा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1), एकवचन; नगरनाम
and
:
Sambandha (Conjunction/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक-निपात
एवindeed
एव:
Sambandha (Particle/निपात)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारणार्थक-निपात (indeed/just)
द्वारकाDvārakā
द्वारका:
Karma (Object/कर्म)
TypeNoun
Rootद्वारका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1), एकवचन; नगरनाम
अपिalso
अपि:
Sambandha (Particle/निपात)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय; निपात (also)
अमरावतीAmarāvatī
अमरावती:
Karma (Object/कर्म)
TypeNoun
Rootअमरावती (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1), एकवचन; नगरनाम

Skanda (deduced from Kāśīkhaṇḍa dialogue context)

Tirtha: Naimiṣa; Kurukṣetra; Gaṅgādvāra; Avantikā; Ayodhyā; Mathurā; Dvārakā; Amarāvatī

Type: kshetra

Listener: Frame-listener (often Pārvatī)

Scene: A ‘garland of tīrthas’ montage: forest hermitages of Naimiṣa, the wide plains of Kurukṣetra, Gaṅgā descending at Haridvāra, Ujjain’s Śaiva skyline, Ayodhyā’s royal ghāṭs, Mathurā’s Yamunā banks, Dvārakā’s sea-walls, and a faint celestial Amarāvatī above.

N
Naimiṣāraṇya
K
Kurukṣetra
G
Gaṅgādvāra (Haridvāra)
A
Avantikā (Ujjain)
A
Ayodhyā
M
Mathurā
D
Dvārakā
A
Amarāvatī

FAQs

The Purāṇa frames India’s sacred landscape as a network of muktisthānas where pilgrimage supports dharma and liberation.

Multiple: Naimiṣa, Kurukṣetra, Haridvāra, Ujjain, Ayodhyā, Mathurā, Dvārakā, and Amarāvatī.

No single ritual is specified; the implication is tīrtha-yātrā and customary practices like snāna, darśana, and dāna at these sites.