दारिद्र्यदमनी दक्षा दुष्प्रेक्षा दिव्यमंडना । दीक्षावतीदुरावाप्या द्राक्षामधुरवारिभृत्
dāridryadamanī dakṣā duṣprekṣā divyamaṃḍanā | dīkṣāvatīdurāvāpyā drākṣāmadhuravāribhṛt
Dia yang menundukkan kemiskinan, yang cakap dan mahir; sukar dipandang oleh yang tidak suci, namun menjadi perhiasan alam ilahi; berbekal dīkṣā dan sulit dicapai—ia membawa air semanis anggur, menganugerahkan sukacita dan rahmat.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Gaṅgā in Kāśī (śrī-pradā and śuddhi-pradā)
Type: ghat
Listener: Ṛṣi audience / tīrtha-yātrika ideal listener
Scene: Gaṅgā as a divine ornament of the gods, shimmering with jewel-like water; a poor devotee’s empty bowl becomes filled (symbolic poverty-subduing); a veil-like aura hides her from the impure; grapes/vines motif subtly indicates ‘drākṣā-madhura’ sweetness.
True prosperity is portrayed as a fruit of devotion and consecration (dīkṣā); the Goddess removes inner and outer lack when approached with purity.
The Kāśīkhaṇḍa framework situates this praise within Kāśī’s sacred sphere, where Devī-Śiva worship is held to be especially fruitful.
Dīkṣā (religious initiation/consecration) is referenced as a divine attribute, implying disciplined entry into mantra and worship.