अचिन्त्याव्यक्तरूपाय महादेवाय धामने । विद्महे देवदेवाय तन्नो रुद्र नमोनमः
acintyāvyaktarūpāya mahādevāya dhāmane | vidmahe devadevāya tanno rudra namonamaḥ
Kami merenungkan Mahādeva—yang wujud-Nya tak terpikirkan dan tak termanifest, Sang Kediaman Tertinggi. Kami mengenal Dewa para dewa; maka, wahai Rudra, kepada-Mu kami bersujud, berulang-ulang: namo namaḥ.
Unnamed devotee/narrator (within Mārkaṇḍeya’s narration context)
Tirtha: Revā-kṣetra Śiva-mantra-stuti
Type: kshetra
Listener: Suvrata/anagha interlocutor
Scene: A meditative tableau: a liṅga on a pedestal by the river; above it, an abstract luminous void/halo signifying avyakta; the devotee in seated dhyāna posture; subtle ‘deva-deva’ grandeur without anthropomorphic excess.
Śiva is beyond thought and form; devotion expresses itself through contemplation and repeated salutations.
The verse functions as a Śaiva hymn within the Revā Khaṇḍa setting, broadly tied to the sacred geography of the Revā (Narmadā) region rather than naming a single tirtha in this line.
Implicitly, stuti/japa—repeated namaskāra and contemplative remembrance (vidmahe) of Rudra.